Sunday, May 24, 2009
IN THE MEANTIME
www.labyrinthcity.livejournal.com
www.weareswarming.blogspot.com
www.skyhut.blogspot.com
www.before-hollywood.blogspot.com
SKIES
Sunday, April 12, 2009
IRIVER IST RID
Monday, February 23, 2009
SUMMERWINDS 2009, 31/01/2009
This Party Sucks consists of two ex Queenslanders sharing guitar/drum/vocal duties, lending each others musical strengths unto one accurate depiction of what it would be like if one combined Gutters and Nite School. The set starts with Hannah on guitar/vocals, with Andrea drumming. So familiar territory given their backgrounds. Songs were pretty basic, limited to blocky bar-the-same-fret power chords, drums the usual 4/4 beat. Vocals good though. Fun. Ten Minutes.
MATTHEW BROWN (SOARING SYNTH SOUNDSCAPE)
Laying pensive on the ground stretched over a bulky Synth, Matthew Brown's set starts with harmonising chords creating a moody atmosphere. Sparse notes devour the chords, in a precise manner. Called a Synth master by peers, Matthew's performance is driven and seemingly planned - which unlike most Synth based performances has a direction which lends it to being interesting, well thought out and controlled. Eighteen minutes.
ARTS AND CRAFTS (JAM SESH W/ MATES)
http://www.mediafire.com/?nutbqtwgnym
Three piece guitar/drum/bass band Arts and Craft's instrumental set reflected older more tradititonal styles of 'rock n roll'. Some interesting 'riffs' reminscent of Brisbane's old favourites Turnpike. Bouncy bass lines, strong drums and scratchy guitar sounds - enjoyable, albeit self indulgent. Eighteen minutes.
NO NEWS (SLACK EMOTIONS)
http://www.mediafire.com/?aj2mkwzmnye
No News are from sydney, are an acoustic guitar, low nonchalant vocals and the barest percussion. They open with what is announced as a wasted sperm cover, being summerwinds.
No News were really likable, they only played three songs but it was really good. Eight minutes.
Acid Casualty are Mai, Lei and Hannah. Much like this party sucks, Hannah makes a swap with Lei halfway through, only this time theres a more distinct change in style, given their differing guitar styles. They play four songs, with Lei fronting the band for the first two and Hannah the second two. The first two are pretty reminscent of me mu, but more straight forward with basic drums. Mai's basslines bounce around the songs playfully, giving the songs an extra level of interest where the bass would usually sit in the background for any other band. Hannah's vocals for the second half were right good. Check it outtttt. First song was really catchy. Ten minutes.
SUPER STAR (LOOPY PEDALLED NOTES)
Featuring looped guitar and various keyboard/synths - Super Star's set has a jaunty feel to it, the high short plucky guitar brings a new fresh, interesting face to the normally lacking guitar loop bands. The synth is placed in the background, used as a foundation. The lowfi, buzzing tones gives Super Star the light and shade contrast. Conjured up images of the Willy Wonka boat ride. Twenty Minutes.
MSC
MARL KARX (UNREVIEWABLE)
ABSOLUTEN CALFUETRAIL (SELF HELP GURU)
Sunday, February 22, 2009
STEP INN, 22/01/2009
HEART FLEW LIKE AN ARROW (PUB FIGHT)
http://www.mediafire.com/?mimodm3iwt0y
Heartflew tonight were represented by Adam Rogers (I would go as far to say he embodies heartflew), Ryan Potter and Andrew Mclellan. So all as usual save the only sturdy female member, Mac. So tonight was akin to a night out without the girls, a boy's club if you will. Usually around the tail end of the set, Adam gets really frustrated and aggressive, tonight the axis is reversed almost. Faced with equiptment failure in doses, Adam tosses his guitar aside and leaves the stage. Bree of Loomer stops him, and he gets back to the stage, where Bree swaps Adam's faulty keyboard with her own. Only still, the momentum of the set before this is dashed with an uneasy feeling of whether the set should have continued. Otherwise pretty exciting. Eighteen minutes.
LOOMER (HEAT AFFECTED ALTERNA BAND)
REQUESTED REMOVAL
Open with one of two new songs, songs of which sound more mature than of heard before. First one plods only with a krautrocky-organicness. New bassist Pat adds moreso to the melodic side of their sound with an octave thing there und there. Second new song sounded a bit like Deerhunter. Bree's vocals were a little lazy during the first half, but the rest was good. She let loose and moved around ETC. Harry passed out at the end. Twenty minutes.
GLEN SCHENAU
MILTON HOUSESHOW, 10/01/2009

Tuesday, February 17, 2009
RANDOM RECORDINGS FROM THE PAST TWO MONTHS
Capt. Robbie & the where aren't we Banned?
Yout Dem's botski teams up with Potato Masta for a divine selection of beats and wild vox. Heat didn't prevent audience from becoming involved. More please. 13mins
http://www.sendspace.com/file/ejdl7x
Matt Kennedy (solo Kitchen's Floor)
Interesting wine-soaked accoustic introspective. End is worth sticking around for, I liked the amp's noise piercing through. Accidental noise star. 12mins
http://www.sendspace.com/file/6ybrls
RIC'S 27 Jan 9
Joel Stern
Unexpectedly full sound considering the limited sounds he bengins with. Builds up layers using trumpet and some found object light thing which although it had recently destroyed his mixing desk, he decided to push on nonetheless. Nice bicycling music. 13mins
http://www.sendspace.com/file/os5g20
Blank Realm + Mani Neumeirer (I hope I spelled that right...)
I found this combination thrilling to begin with, however I felt that communication between the members was limited, probably due to the small stage at Ric's. The overall performance was good though, Luke's guitar interacting with Mani's drums a highlight. The recording did not turn out well because of the volume, however I will upload when I am able to use someone else's bandwidth.
JN
Saturday, January 3, 2009
NEWMARKET HOUSESHOW, 31.12.2008
http://www.mediafire.com/?2ei4dgmnodf
Set starts with a start-stop yelling, tune. Drums are the highlight within their performance tonight, they are messy and interesting. Guitar is turned down too low and lacks the punch needed to get the audience to their feet. Twenty seven minutes.
MSC
MARL KARX (SOBER)
RECORDING WILL BE UP SOON.
Glen and Michaela party down like it's already 2009 with their mixture of clean guitar scrapes and floor tom pounding with "nihilistic" undertones. I liked it. Fifteen minutes.
MK
CAUGHT SHIP (SUNGLASSES AT NIGHT)
http://www.mediafire.com/?z5lywdlzmxr
Caught Ship debut tonight, consisting of Ben XYSTER and Pat GARCONS, they use an electronic set-up, slam dunking themselves into the man on man electronic music hoop. Good though! nice delay drenched vocals and dual vocal deliveries through the back entrance mate yeah right on thhroughgh thhere. Eight minutes.
GS
KITCHEN'S FLOOR (BACK TO WORK THEN)
http://www.mediafire.com/?zmgftvh5tz2
Matt, Julia and Glen begin their set with Ground, the vocals are echoed with the previous effects left on from Caught Ship's set. The performance slowly starts to break down, with the New Years VIBE intoxicating to all members. Described by one (BEN XYSTER, CHEERS) as a stray dog attached to a tight leash, the set was not the tightest but possibly the most entertaining Kitchen's Floor set EVA. I liked it. Twenty eight minutes.
MSC
Wednesday, December 10, 2008
PADDINGTON HOUSESHOW, 06/12/2008

http://www.mediafire.com/file/mwjotyfttzd/Heartflewlikeanarrow-Paddingtonhouseshow,06.12.2008.mp3
Adam begins this set as a solo distorshow recalling his cdr release and earlier shows. Same idea, only augmented with a spastic drum outro courtesy of Andrew George Mclellan. The transition between the solo intro and band idea worked well innit. Thirteen minutes.
GS
KINDS OF LIGHT (SERENE GUITAR DUO, BI GENDER)

http://www.mediafire.com/file/ydm4yldj22x/KindsOfLight-PaddingtonHouseshow,06.12.2008.mp3
Folk influenced girl boy duel guitars with an interesting mix of slide guitar and female vocals. Song based with Luke Walsh playing fluid guitar over the top. Nineteen minutes.
MSC
HOLLOW EARTH (TRAPDOOR N' FRIENDS)

http://www.mediafire.com/file/zz2wgzwknyb/HollowEarth-PaddingtonHouseshow,06.12.2008.mp3
First show in a while for HE. Not as percussive as usual, more freeform laptop noise n' saxo *skronk*. Repressed Snare drum awakens a beat to which certain audience members avert their foot movement to und fro. Nice and short. Seven minutes.
GS
KITCHEN'S FLOOR (SMILEY THREE PIECE)

http://www.mediafire.com/file/rmgyjgiimz0/Kitchen
Set starts with Failure, the room is full and upbeat. Vocals are loud and grainy. They contrast well with the nirvana-ish bass and Julia's dish based drumming. The set continues with stand out songs like; Sparkles , which seems extended as the crowd moves to the tribal drumming. Deadshits brings the performance to a close with the audience singing along loudly. A very happy performance enjoyed with friends. Twenty one minutes.
MSC
CURED PINK RADIO (PRINCE COMMITS SUICIDE)

http://www.mediafire.com/file/wqryd4qgtiz/CuredPinkRadio-PaddingtonHouseshow,06.12.2008PartOne.mp3
http://www.mediafire.com/file/o2otwl2054w/CuredPinkRadio-PaddingtonHouseshow,06.12.2008PartTwo.mp3
Total left turn performance, set starts with the same two note drone thing he's been throwing around for a while, only sped up with a backing track (theme of which the backbone of his new and ultimately more EXCITING direction). AWESOME AWESOME SET everyone went berserk. Laughed, moshed, everything. Andrew accosted the audience a a a a a a a a a. Fifteen minutes.
GS
MARL KARX (STARLETS OF AN EXCITING NEW ERA)

http://www.mediafire.com/file/tutvyj1nmd5/MarlKarx-PaddingtonHouseshow,06.12.2008.mp3
Marl Karx. So many thoughts, so many emotions, a few IDEAS and one band. Set is mostly comprised of their best material plus one new song. Vibe in room is of optimism of the present and physical reaction towards this epiphany confronts audience to throw themselves around and onto ground. Very enjoyable event. Fifteen minutes.
MK
SCRAPS (GOOD SONGWRITER)

Reluctant celebrity of her own creation. Though never villified, always admired, wished NOT to have her recorded set of this night put up on the internet for dissection. Set was full of amazingly well crafted, genius invoking, passionately beautiful introspective meanderings of everything that is LAURA HILL. Brisbane would be much less of what it is without SCRAPS. Twenty minutes.
MK
GLEN SCHENAU, MICHAELA SOPHIE CHIN, MATTHEW KENNEDY
Thursday, November 27, 2008
ALL ENCOMPASSING JJAFO
This update will chronicle weeks of time away from the internet due various circumstances.
LO-FLY HANGAR, 14/11/2008
HEART FLEW LIKE AN ARROW (FRUITION 'O INDULGENT POST ROCK VISION)
http://www.mediafire.com/?ljmm3eyznmy
Heart flew like an arrow is OFFICIALLY one man, an Adam Rogers. Unofficially though, as of tonights performance INFACT, a full band of brisbane representatives. A/E/I/O/U, Cured pink radio and Nikko all represent here. Set followed two different keyboard keynote structures, that plodded along in a solid manner, while the three other members swelled around it. Drums were real good, though maybe giving Head man Adam for volume through his own guitar would settle perceptions on what heartflew IS and what it can be. Twenty minutes.
GS
ROSIES, 20/11/2008
MARL KARX (Lost Brisbane youth)
http://www.mediafire.com/?yn3nvjzgqd0
Marl Karx perform for charity at Rosie's on a Thursday. Glen Schenau and Michaela-Sophie Chin play an amazing set before ending with a nervous breakdown. TWENTY-ONE MINUTES.
MK
KETTLEHEADS (Progressing rock-band town brothers)
http://www.mediafire.com/?xwyawnqtjwz
Set begins with a very active song with every instrument doing something equally WELL read 'interesting'. Song stretches out, an odessey of sorts. There were some REALLY good parts amid the set, alot of lead lines staying with myself outside of set. WATCH OUT. Twenty seven minutes.
GS
AVID READER, 21/11/2008
SCRAPS (SECRET STAR)
http://www.mediafire.com/?ykmtzz42tzt
Laura gets out some anger, middle-class menopausal women stand around unsure how to take the sweet beats and brutally raw honest paiiiiiin. Sing along bliss. The laughter is due to Laura taking a cardboard box as a lover ("Patsy") and hating on the indifferent/apathetic crowd, who eventually are forced to listen. Twenty minutes.
JN
RICS, 26/11/2008
KITCHEN'S FLOOR ( INNER SUBURBAN DOOMED BRIS-BLISS)
http://c2.ac-images.myspacecdn.com/images02/62/l_a8841f61cbef431ab146a7bcf593ec25.jpg
http://www.mediafire.com/?lendznld2ti
First show with three piece lineup in a venue. Features Glen Schenau of Marl Karx on bass guitar, bass guitar itself though (+ rig) PROPERTY OF CURED PINK RADIO (THANKS)
Twenty minutes.
ROSIE'S, 27/11/2008
SNAKERUN (A WEEKS WORTH 'O ANGER)
http://www.mediafire.com/?2yuzo1dnzyl
Snake Run thrashed from adelaide to brisbane again and this time played rosies to a packed crowd of which only fed to their attitude towards delivering a spectacle. It would be lazy to type Black flag down, that of which I am very. Set was really good, never let up. Ten minutes.
GS
GLEN SCHENAU, MATT KENNEDY, JULIA NORRIS.
Monday, November 17, 2008
STEFAN SPACE NEEDLE SQUAT SHOW, 01.11.2008
MAGICAL MULTIPLE MOONS (TRIBAL MASTERCLASS)
http://www.mediafire.com/?lt3zjj5mioi
Magical Multiple Moons is Magical Kitten is Kitten Party. Tonight, Rohan performs his set in parts, with each part exploring a different element of his gathered tools. Beginning with a hypnotic cymbal cycle, his set later includes recorders, dictaphone (?) and the collection of empty wine bottles he's surrounded about his space, each of which adourned with a flower. Set closes with a percussive passage in which the untrained ear would suspect there to be more than one performing. Six minutes.
THE YEAR OF THE SEX OLYMPICS (TRUE BLUES)
http://www.mediafire.com/?czzm2mznmyv
Jamie revisits his vague approach on New Order's Ceremony tonight, only this time he's more liberal with the wanton violence inflicted on the ancient acoustic guitar. The recording here is rather quiet, but expecting anything more would be ignoring the point. Three minutes.
TRIBAL POLICE (THE REVOLUTION IS NEVER COMING)
http://www.mediafire.com/?lzalzm2nnmv
http://www.mediafire.com/?zkzzt4on5ny You'll find most of Andeh's 'forum' in this recording.
TAKE THE GOOD WITH THE BANDEH
Fifteen minutes.
Sunday, November 2, 2008
LIBBY EDWARDS ART GALLERY, 31.10.2008
KITCHENS FLOOR (HIGH SONGMANSHIP + DRENCH GUITAR)
http://www.mediafire.com/?ztiketn1m5m
thirteen minutes.
photos by Adam Rogers
Sunday, October 26, 2008
AUDIOPOLLEN #75, 24.08.2008
MARL KARX ('PUNK) - http://www.mediafire.com/?mwyj2jmnvjm
TRIBAL POLICE (FIRST SHOW FOR FRIENDS) - http://www.mediafire.com/?zzxz3myvziz
BOY BRIGHTLULB (SOLO LOOP GUITAR OF GREAT INTEREST) -http://www.mediafire.com/?dyudddyhlno
-GLEN SCHENAU
Tuesday, October 14, 2008
VALLEY POOL CAR PARK SQUAT SHOW, 11.10.2008
http://www.mediafire.com/?mwnyngwey4m
http://www.myspace.com/uniqueoilfreeair
Unique Oil Free Air is a solo project of one Adam. He starts his set in the corner of the car park as it's where the power point is situated. Some purple flowers have been scattered around said area, floating in puddles left by the weather that's gone and wet today. Adam's music is fed through a belt of pedals before him and out through a tiny practice amp. As he activate more pedals, the sounds become mor dense and demented. It's not long though before a man working inside the building we are leeching power from comes out and kindly asks he stop. Only around five people witness his set. Four minutes.
MAGICAL KITTEN (MANIC ACOUSTI-EXPRESSION)
http://www.mediafire.com/?ydzjjnkt2my
As we've been asked to leave, Rohan (Magical Kitten) leads us over to another corner of the carpark, to a chainlink fence where trains often pass. Before this change in location, Rohan was planning to do a screamy delay pedal set, but we were now without electricity. So, he did an acoustic set on the fly. He sits at the bottom of the chain link fence and scatters his stuff around him. A now modest audience of around 7-8 stand around. Rohan starts his set by blowing through the top of a recorder, playing some shrieking high notes, before going into a state of visible panic, thrashing at the borrowed cymbals around him, among lot's of other things. The tribal nature of his music works really well with the industrial nature of our surroundings, trains passing, barbed wire. Really good, recording turned out really well also. Three minutes.
AUCHENFLOWER RED LIGHT DISTRICT (POST INDUSTRIAL MINIMALISM)
http://www.mediafire.com/?m1mozknommu
ARLD is another one of Jamie Hume's projects. I've seen him do an ARLD set before, only that time he was in a relatively stable enviroment (The Forest cafe space). For tonight's set, we are on private property, and have already provoked those who inhabit buildings around us. So Jamie's percussive set of beat ignorant cymbal crashing is ultimately more exciting. He tosses the broken cymbals around haphazardly, even with a certain flair for the disregard to to space around him. He ends his set when the cymbals are thrown over the chainlink fence I referred to earlier. Rohan scales the barbed wire and retrieves them. Two minutes.
MAGICAL KITTEN AND AUCHENFLOWER RED LIGHT DISTRICT (FAIR COLLAB)
http://www.mediafire.com/?nwn3z2mkylm
After Jamie's set, more people arrive, and it is decided we all go back to where we were originally told to leave from, where Jamie and Rohan could do a duel encore, this time with electricity. Rohan screams into a microphone with delay pedals and all sorts, while Jamie throws his cymbals around. Then the same guy from before comes out of the building again, this time turning off the power himself. Rohan's delay effects are stripped from him midscream. Thirty seconds.
THERE MAY BE PICS SOON
Friday, October 10, 2008
AUDIOPOLLEN #80 (TOM HALL'S HOUSE AND CURATION), 05.10.2008
http://www.mediafire.com/?ztvml1nndmj
http://www.myspace.com/curedpinkradio
Tonight's set was essentially the same agenda as the michelton show, only differing slightly, with perhaps the enviroment to credit. The police had already stopped by before anyone had started to warn against noises' loud, so theres maybe another factor WHAT IS THE USE OF ANALYSIS LISTEN TO THE RECO)))RDING Fifteen minutes.
BLACK BIRCHES (NO ANCHOR INCOGNITO)
http://www.mediafire.com/?2im4tdoynwm
http://www.myspace.com/noanchorband
For reasons I think being that two bands tonight under different or slightly altered names played a show the night before together at rics, the masking instead of subtracting bar revenue from a bar venue + bands left it on the shoulders and pulling power of name's original. The first band in question being musical pairing of brisband vets Ian Rogers and Alex Gillies AKA No Anchor. Their set as Black Birches began with Alex manning the drumkit as per usual, Ian on the floor nearby using a laptop, noise purposes. A slow build up eventually saw Ian pick up his bass guitar essentially turning what could have very nearly passed off as a new act (sic) entirely (laptop 'n drum duo Black Birches) into a No Anchor set, complete with solid block bass and powerrrrr. Down and up and down. Fourteen minutes.
YUSUKE AKAI AND NIK MAYER-MILLER (JITTERY GUITAR/DRUM SAVANTS)
http://www.mediafire.com/?2xzwjylmj2y
AMAZING. Set was like, A LESSON. TOTALLY captivating, recording turned out really well. Yusuke plays guitar like he has completely ignored any sort of formal guitar training, unless it was training of this school in which case KUDOS because FUCKING GOOD! Nik rolls around his towelled down kit as if mentally falling down a set of very percussive stairs IE. REALLY GOOD. NOT ENOUGH CAN BE SAID BUT HERE I AM PS DOWNLOAD THIS. Eleven minutes.
SECRET BIRDS (JAM CHAMELEON BAND)
http://www.mediafire.com/?te5twmemdym
http://www.myspace.com/secretbirds
To further fit with tonight's curated lineup and theme(s) (that being doom/kraut rock), Secret Birds play tonight as an organic, solid, repetitive kraut rock band. Performing with D.black on guitar (as per usual) were a bassist, another guitarist, a drummer and Tom Hall himself operating something electrical, a keyboard perhaps. Droned on a bit, but that's the nature of der genre. Heil!. Twenty minutes.
SPARTAK QUARTET (SPARTAK + MEMBER)
http://www.mediafire.com/?mqydthylnny
http://www.myspace.com/spartakmusic
Second band under circumstances altering their name. Band of course is actually Spartak, but to be fair have another member present during set tonight. Spartak approach the guitar/drum band in a fresh way where musically the guitar lays a bed of soft, synthy passages where the drummer will spasm over his kit-over the top of guitar bed lain down. So the drums are essentially the centerpiece, and rightfully so!. Drummer utilizes his surroundings (read, a ceiling beam) to get more percussion out of his role. That is, when he's not using every space possible on the kit he sits at. Really cool. The extra member didn't really have any audible contributions to their set, though maybe that was due to him setting up very far away from Spartak themselves. Seventeen minutes.
BLACK VITAMINS (AUDIOPOLLEN ALL STARS)
http://www.mediafire.com/?oz21zti2zmi
This so called "super group" features all the members of Blank Realm plus Joel Stern and the guitarist from Tad Guru Band. The set features two guitarists, mini trumpet (?), keyboards, drums and bass. The set starts with a funky dance beat and structured interesting bass which connects well with the guitar. The undertones of droning piano and guitar from the Tad Guru member contrasts well with the "dancey" music and gives it another interesting layer. Finally, the high pitched trumpet "solos" from Joel Stern bring the music to a more improvised 'Audiopollen' feel. Sarah's vocals sound like a mediation and create a STERN background noise. The set is enjoyed by the audience and various audience members dance along. All over it contrasts well with the overall dancey feel of the bands at Audiopollen tonight. Eighteen minutes.
Sunday, October 5, 2008
MICHELTON HOUSESHOW, 03.10.2008
http://www.mediafire.com/?mr1djwwezmj
http://www.myspace.com/theweathercouncil
Max starts off his set as only he can using the immediate/live element of his set up, his guitar. Each of his songs start in a gentle manner, and for the most part stay true to the delicate nature of the 'emotion dwelt on, mostly staying within chord structures. Set comes in three movements of around 10 minutes each. During the final of the three, Max loops some percussive strumming of dead notes to great effect. It is within my knowledge that that was in fact, improvised. Twenty Eight Minutes.
PLEASE DEFACE THIS ARTWORK (PEDAL SHOW)
http://www.mediafire.com/?y3iznzw24oq
Please Deface This Artwork are two men with guitars, pedals and time. They play music in the same sort of vein as previous act Piers, only less structured. That's not to say there is any shortage in structure though. One of the two keep the set focused with a perpetual rhythm guitar, usually playing slow passages ETC for the other to tool around with his collection of pedals, which not only filled the small space on the floor in front of him, but a shelf on his right.
The two guitars are usually on the same level, which is a bit of a let down given the range of pedals which could be making a hellish noise-storm given the chance. The better moments of this marathon session were those where it was possible to hear the effects in well, effect. Thirty Eight minutes.
MARL KARX (INSECURE TOGETHER)
http://www.mediafire.com/?m2g2ngguynq
http://www.myspace.com/marlkarx
First show we've been able to use our own drumkit. Fourteen Minutes.
RYAN POTTER + HEART FLEW LIKE AN ARROW (SONGER SONGWRITER PLUS SHADE OF COLLAB)
http://www.mediafire.com/?yutdmoozwny
http://www.myspace.com/nikkoband
Ryan Potter fronts Nikko, tonight he played a solo set of what I think were Nikko songs? Though I'm not too sure. Adam (Heartflew) contributes to an extent. Ryan plays his guitar and voice. The recording cuts off near the end. Seventeen Minutes.
CURED PINK RADIO (CONSERVATO)))RIUM OF MUSIC)
http://www.mediafire.com/?1aybfzewrzj
http://www.myspace.com/curedpinkradio
A high pitched squeal of amp noise is fashioned into an intro to the set, immediately alluring. Andrew moans over the top in a high falsetto, to an eerie effect. That caves into the running theme of Andrew's sets, low frequency bass drone churning out of his expensive stack amp deal. Andrew stands solemn, alone with drone for a stretch, until a two note vehicle driven by pure angst and indifference to existence snaps the audience to attention. Caves back into drone, and the set fades away in that nature, but not before his primal scream is reverberated through the pickups of his strat copy, becomes one with the floor. Eighteen minutes.
all photos by ADAM ROGERS, HENCE WHY NONE OF RYAN AND HEARTFLEW