Tuesday, September 30, 2008

AUDIOPOLLEN #79, 28.09.2008

CHLOE COGLE AND LUKE WALSH??? (A/V ASSIGNMENT PRESENTATION)

Chloe Cogles performance art piece includes her spoken word over electronic drones and large projection which showers the back of the Forest Cafe in a red and yellow haze, which includes pictures of a 70's style lounge room. The accompying music drones in the background with minimal “tribal” style percussion, over the top of this Chloe speaks bluntly in a semi-monotone voice, that is reminiscent of a travel guide. Her story telling style spoken word is humorous and emotionless with its removed tone and analytical style script. The performance starts to take a climax when the synth style electronics increase pace with loud alarming bells. The performance is entertaining but albeit reliant on the background music to create better tension and keep the audience aware of the changing pace of the performance. Fifteen Minutes.

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SIMULCAST (AUDIO VISUAL ASSIGNMENT PROJECT)

Simulcasts performance piece, a laptop/playstation based with remixed 'tunes' starts interesting with the flying colours and lines, differing movement and blasting beats. However, this piece starts to take a different turn when simulcast tries to get other members of the audience involved in the controller movement. Nothing challenging, nothing new. The first two acts tonight weren’t recorded, as they were each more of an audio/visual thing. Ten minutes.

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THE IMPROMPTULONS (IMPROV WUNDERKIND SHOW IN A LONG TIME)

http://www.mediafire.com/?zhemdwojdwk

The set up for the Impromptulons is messy, a bass guitar, slide guitar and electric guitar sit on the stage as the members bring out various instruments, a sax, mini trumpets (??), clarinets, drums and electronic pedals. As the title suggests the band starts off with a chaotic, messy but exciting improvised tune. All the instruments contrast with each other, as the drums as mentioned by Jamie Hume are reminciscent of Animal from the muppets. Sarah = AMAZING drummer. The use of a 3 pronged horn mesh is great. So good. Download. Fifteen Minutes.

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LAKES (SELLBOURNE SOLO STALWART)


http://www.mediafire.com/?nuqjmmyi2mj

Lakes set starts intimately, the Melbourne artist sits by himself holding a guitar strumming all strings, with the lower gauge strings all tuned to a drone chord that sets the scene for the majority of Sean’s set. Stronger moments are when the rest of his set up it explored, especially the floor tom - the interesting percussion done by himself really draws the set together joining his low tone almost Joy-Division-ish drones together with a texatured basic drumming. Loooooooong… Thirty five minutes.

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COLLAPSED TOILET VIETNAM (ABSURDIST GRIND)

http://www.mediafire.com/?05m5thhjoki

CTV Tonight play their set in two parts, one a blasty-noise blast of time, the second and final half a building sort of exercise. Set's a total joy, Come back again. Seventeen minutes.

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- MICHAELA SOPHIE CHIN + GLEN SCHENAU

RUSSIAN HALL, 27.09.2008

HATEFUCK (DROP D BLAST MOTHERFUCKER(HATE))

Crust contingent lapping, Hatefuck loud and aggressive music for some time of which will be noted at the end of this summary.Motherfuckerrrrrr. Highlight was where female drummer dropped a stick, and kept playing with one. Recording didn't work, as they were too grind for my iriver. Fifteen minutes.

PRESSURES ON (GOT POWERCHORDS)

Similar deal with the band previous, Style/recording wise. They replaced us at a houseshow once. More than five minutes.

LAKES (MELBOURNE IDOL UND SETLIST)

http://www.mediafire.com/?fy1yjeytubm

Slug guts were to open tonight's show, but as they'd kicked their drummer out earlier, they were unable to fufil tonight's show. So Lakes, up here from melbourne with CTV, filled in. As Sean began playing, crust slowly left the room. Sean had before him a guitar, a tape playing device with pre-recorded noise/melody tracks, a mic, some percussive aids, a keyboard organ and a floor tom. Thirty minutes.

SEPTIC SURGE (TRAPDOOR'S TAPE POWER 'V)

Septic Surge are tonight a drummer, bassist, two singers and noise dial machine. Said machine blocks off any inbetween song silence that may serve as a break, breather if you will. The two singers are each quite different, most obviously in stature and age (I GUESS), creating an interesting dynamic. Grind father, grind son?. Very entertaining set. Recording's not so clear, but the bass is very prominent, upped anyway. Fourteen Minutes.

COLLAPSED TOILET VIETNAM (MELBOURNE SCENE VETS PARODY A PARODY)

One bass string. 3 pedals. Highlight of set was when singer tried to get a clap going, and the mic chord fell out. Great set!, no recording as it didn't work at all. Six minutes.

-GLEN SCHENAU





Monday, September 29, 2008

VIA STUDIOS, 26.09.2008

TRIBAL POLICE (SHREDDED DRUMSTICKS)

http://www.mediafire.com/?1geynydj50z PART 1

http://www.mediafire.com/?ywdzt2tmzjj PART 2

I stopped the recording after the first four minutes, as I was under the impression our set had ended. Andeh insisted we keep going, so two parts. PS. Part 1 is the better. Five minutes.

TO THE NORTH (CLEAN NOODLY-JAZZO COREY)

http://www.mediafire.com/?kzqtyntmmui

Recording didn't turn out very well, loud volume in small closed room on small recording device. To The North played 4 songs, 3 of which were new. All three showcasing all the elements of ttn that they are now well known for. Maybe more solid though? Andeh told me they didn't play 'we are not ashamed' anymore, then they did. Fifteen Minutes.

OTTERS once again did not play a set. And I got distracted during FIRESHIPS + WOLFMAN JACK. Heard that Fireships were great though, multiple sources IN FACT.

-GLEN SCHENAU

Wednesday, September 24, 2008

GIG LISTING 26TH - 28TH

FRIDAY - VIA STUDIOS/7PM

Fireships 

Wolfman Jack 

To The North 

Otters 

Tribal Police 

SATURDAY 27TH - RUSSIAN CLUB WOOLONGABBA/8PM

Collapsed Toliet Vietnam

Septic Surge

Pressures On

Hatefuck

Slug Guts

SUNDAY 28TH -AUDIOPOLLEN SOCIAL CLUB - FOREST CAFE/7PM

Lakes

Collapsed Toliet Vietnam

The Impromptulos

Simulcast

Danni Zuvela

Chloe Cogle

a very busy weekend for shows - Michaela

 

AUDIOPOLLEN #66, 22.06.2008 - GUTTERS

GUTTERS (WOE IST TEEN JESUS - THE BRIS-BAND)

http://www.mediafire.com/?yocfmmydidq

With each member living in opposing states, I thought it would be a good idea to post this recording I made back in june, as Gutters shows were all too rare in the first place. Expect more one off posts of this nature in the near future. Five minutes.

-GLEN SCHENAU

AUDIOPOLLEN #78, 14.09.2008

DAN LEWIS (EMOTIVE WALL OF DRONE SOLO)

http://www.mediafire.com/?m1kynmwmjkz

Powerful as in, dominating drone, electronics heavy, yet theres a snare-ee rattle that washes over the bed of bass frequencies that are churned from Dan's modest setup. Set gravitates around a chord sequence coloured by occasional stabs of noise. Eleven minutes.

EVERETT TRUE PART ONE (BRITISH MAN)

http://www.mediafire.com/?ndtdkdmniie

What would really be a spoken word set is wharped into a borderline 'musical performance with a solo vocal rendition of a young marble giants song, chosen purely on the basis that their band name contains a word that flies in the face of Everett's physical condition. He rocks back and forth nervously(?), yet his confident singing voice belittles the idea that he is at all uncomfortable in this school recital esque deal. Nine minutes.

UR (ACOUSTIC GUITAR TRINITY ASCEND INTO SPACEY)

http://www.mediafire.com/?mxn1fzqdimz

Set starts off very modestly, with the three members building up a haze with their guitars. Mariachine. Someone mentioned space? Picks up momentum eventually, with each of the guitars growing in prescence, one laying a bed of low notes with the help of some sort of peddle, with the other two darting around picked notes ETC. A recorder is brandished at one point. Set was a little overlong.. Deep space throb like a mexi-beacon for all aliens. Seventeen minutes.

MUTTBOY (SPARSE TEST)

http://www.mediafire.com/?ymjnjtnk3gq

He (Single man) begins his set on the tail end of a particularly low brow joke from apsc mc Jamie Hume (HAPPY BIRTHDAY!). On the table before 'Muttboy lay an array of computers, a travel guitar and chords on chords. But rather than add all these ingredients together to perhaps mesh up a wall of ah, interest, he alternates between each, Subtly testing each element. The height of the set was probably where 'Muttboy plays some shrill guitar briefly. LONG. Artist's intent's a guess, blanket term. FEELS like a term. Twenty minutes.

EVERETT TRUE (MAN FROM ENGLAND)

http://www.mediafire.com/?imqmddmgyzz

This time, Everett starts off reminiscing about musical memories, with a story on his perspective on Daniel Johnston's career, Claiming part responsibility for his cult following. Not explicitly. This prompted he mention his asscociation with THE very Kurt Cobain, but rather than name Kurt's name, using the word 'Mother' in the place of Kurt Cobain. Kurt Cobain. More solo performance. CURIOUSLY chose to remain anonymous, until I was prompted to reveal his name+LEGACY to all in earshot. Nine minutes.

CRAB SMASHER (NEWCASTLE, TWO THOUSAND AND TWO)

http://www.mediafire.com/?4yml3oyhlwy

Dainty guitar intro starts anew from last night's cataclysmic end. Rhythm section reduced to some clicking. Very delicate, Especially for a five piece band. Grant powers up this hummy loop that gets gradually louder through his expanse of pedals and machines. The drummers tease. Nicholas initiates a rhythm with his guitar, and the band whir into line. It doesn't last long though, with the rhythm giving way to a delicate show like there was to begin with. Very admirable restraint. Gets noisier around the end, but never as wild as last night's performance. Eighteen minutes.

JOEL STERN AND TIM OLIVE (SECOND DATE EXPERI-IMPROV(E))

http://www.mediafire.com/?mjgin2zj0ym

BRUTAL. Joel has a strobe light adourning his end of the table they've set up on. As it flashes, a click corresponds, creating an interesting effect. Flooding noise. I forgot to note that every band that played tonight was set up in their own space, something I'd not seen at Audiopollen before. Ten minutes.

SISTERS GRIMMER (TEEN POETRY)

http://www.mediafire.com/?cqbmzt22otn

Theres a guitarist playing atmospherics, a violinist ticking the 'moody box and a girl at a canvas, who makes it through three or so pieces before the end of the set. At the end of each sheet of canvas, the music would hover for a bit, heralding the end of a movement. No vocals at all. Final image was a narwhal, hello BRISBANE. Eighteen minutes.

-GLEN SCHENAU

MILTON HOUSESHOW 13.09.2008

TRIBAL POLICE (DANGEROUS 'BAND')

SAUCEPAN ON SAUCEPAN. FORGOT TO RECORD, GREAT SHAME. FIVE MINUTES.

JOEL STERN + TIM OLIVE (FIRST DATE ELECTRONIC/GUITAR BASED EXPERI-IMPROV STROBE)

http://www.mediafire.com/?eyqdzyn0ewq

JOEL WORE A HARDHAT. WAS ORIGINALLY BILLED AS 'MOUNTAIN JEW', BUT UNDER THE PRETENSE THAT TIM OLIVE (OF CANADA) WOULD NOT BE JOINING JOEL. TIM OLIVE OF COURSE, DID. FIVE MINUTES. 


KITCHENS FLOOR (BOY GIRL ACOUSTI-DRUM BRIS BAND)

http://www.mediafire.com/?iiy0xokwgiu

MATT AND JULIA DEBUT THREE NEW SONGS. ONE DECIDEDLY MEDIEVAL. SOME TIGHT DRUMS HAPPENING, KUDOS ON JULIA. THIRTEEN MINUTES.

BLANK REALM (ORGANI-SORT OF GROWINGLY IMPROV BAND KRAUT-ISH)

http://www.mediafire.com/?4zqtvnadtwn

REPLACED HOLLOW EARTH. RECORDING DIDN'T TURN OUT VERY WELL, PEPPERED WITH CONVERSATION. BAND ARE STILL THERE THOUGH. TEN MINUTES.

CRAB SMASHER (NEWCASTLE NOISE IMPROV STALWARTS)

WITH NICH OF SKY HUT A MEMBER OF CRABSMASHER, I OFFERED MY RECORDING HAND ON NICH'S TASER/RECORDING DEVICE AND INSTEAD OF RECORDING MYSELF, SO A RECORDING SHOULD SHOW UP ON http://www.skyhut.blogspot.com/ AT SOME POINT. CRABSMASHER WERE *REALLY* GOOD, RHYTHM SECTION ESPEC.

-GLEN

PERMANENT DIRT

THIS BLOG WILL SERVE AS A SOURCE OF BOOTLEG RECORDINGS + FOOT NOTES OF/ON LOCAL AUS DIY UNDERSOUND GRIT SCENE GROUPS